martes, 11 de junio de 2013

Pink Floyd feat Nicolás de Cusa





Hey you,
Out there in the cold,
Getting lonely, getting old,
Can you feel me?
Hey you,
Standing in the aisle,
With itchy feet and fading smile,
Can you feel me?
Hey you,
Don't help them to bury the light.
Don't give in without a fight.
Hey you,
Out there on your own,
Sitting naked by the phone,
Would you touch me?
Hey you,
With your ear against the wall,
Waiting for someone to call out,
Would you touch me?
Hey you,
Would you help me to carry the stone?
Open your heart, I'm coming home.
But it was only fantasy.
The wall was too high, as you can see.
No matter how he tried he could not break free.
And the worms ate into his brain.
Hey you,
Out there on the road,
Always doing what you're told,
Can you help me?
Hey you,
Out there beyond the wall,
Breaking bottles in the hall,
Can you help me?
Hey you,
Don't tell me there's no hope at all.

Together we stand, divided we fall.





Puntos de confluencia entre De Concordantia Catholica de Nicolás de Cusa y The Wall (made in Pink Floyd):

-Exhortación a recordar lo que habíamos olvidado: El reloj de Micky Mouse de Pink guarda un paralelo con la idea platónica reflejada en Nicolás de que conocer es recordar y hay que volver a las fuentes para garantizar la unidad.
-La luz como imagen del Ser -ausente en todas las animaciones pseudo psicóticas de la película así también como sentido común y esperanza en el Misterio-
-Idea de comunidad como presupuesto para la búsqueda y responsabilidad para con el Misterio -contrapuesta con la soledad del artista facho que tenía menos relaciones humanas que una mandarina-


Dionisia la Aerosilla

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